Feeds:
Posts
Comments

Posts Tagged ‘onlining’

Good news, the longest, most tedious portion of the entire production is done. Onlining comes after the final cut is locked and is done to give the film a unified, polished look. This primarily includes color correction and color grading to match a disparate array of shots from different settings and different cameras and combine them under a stylized color palette. Another part of onlining is combining any visual effects shots, fixing lighting problems, and any compositing. 

 

I used After Effects CS3 with scripts from the DV Rebels Guide. I followed the process described in the “Onlining” chapter of the book and am very satisfied with the outcome. 

 

For the look of the film I pushed the shadows towards purple, the midtones towards an orange and the highlights to a pale yellow. This is a much less stylized example of color grading because I loved the colors of the location that we had to begin with and wanted to do just enough tweaking without losing them completely. The final look has a more stretched range of color and a more rustic, weathered feel. My goal was to mimic the look of a movie shot on film as much as possible. The DV Rebel’s Guide was great for unlocking the secrets behind achieving this in some of the tools in After Effects.

As a result of these past two months of work, the movie is a visual whole and not an amateurish hodge-podge of shots.

So where does that leave the film now? Well the only thing left to do is audio: effects and soudtrack. Keep checking back to stay posted on where the project is going. 

Advertisements

Read Full Post »